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第12届FIRST影展纪录片单元提名影片《四个春天》

2012,我写了一篇日记《我爸》,把它贴在社交网站上。它以令人吃惊的速度很快传播。在两天之内,成千上万的人表达了对我父母的极大兴趣和祝福。

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导演照片

导演照片

四个春天剧照

四个春天剧照

四个春天剧照

四个春天剧照

四个春天剧照

四个春天剧照

四个春天

Four Springs

世界首映

World Premiere

*产业场展映

*最佳纪录片提名

中国 | 2017 | 彩色 | 105分钟 | 纪录

China | 2017 | Color | 105min | Documentary

导演/摄影 | 陆庆屹

剪辑 | 陆庆屹、周肖林、郜子瑜、江亦隽

音效 | 孙艾琳

人物 | 陆运坤、李贵贤

导演简介

1973年出生于贵州南部的一个多民族城镇。长期以来,汉族和少数民族的文化在这里汇聚,形成了独具特色的地方性格和民俗。当我还是个少年的时候,因为青春期的叛逆而离开了学校、家乡,到北京与哥哥一道生活,开始学习油画。97年在一家出版公司工作,偶尔跟朋友在酒吧驻唱,99年到贵州罗甸县的矿山,体验了半年的矿工生活。99年回京,自学网页设计,02年在北京华宝斋任职,04年在广告公司做视频包装。05年开了一家广告公司,因爱好摄影,后以摄影为业,目前,我是一名纪录片独立制作人。

Director's Biography

I was born in a multi-ethnic town in southern Guizhou in 1973. For a long period of time, cultures of the Han nationality and ethnic minorities have converged here. When I was a young boy, I quit school and left my hometown because of adolescent rebellion. Later I lived in Beijing with my elder brother and began to paint. In 1997, I got a job to work for a publisher by chance. And sometimes, I’m also singer in bars. Without knowing my lifelong goals, I came back to my hometown, and experienced the life of a miner for half a year. I tried to work as a designer and start a company, which all failed at last. After two years, I made a living with photography until now. Currently, I am an independent documentary filmmaker.

导演阐述

2012,我写了一篇日记《我爸》,把它贴在社交网站上。它以令人吃惊的速度很快传播。在两天之内,成千上万的人表达了对我父母的极大兴趣和祝福。他们的热情促使我去回顾已习以为常的父母的“普通生活”。2013年我开始用镜头去凝视父母的生活。我的家人在2014遭受了不可挽回的损失:我姐姐死于肺癌。全家人陷入无尽的悲痛之中。当我从一个生活的参与者转换为观察者后,越来越被他们在与人和自然的日常交流中显露出来的豁达、质朴的生活哲学深深地感动。这部电影的素材制作花了四年时间。将近250小时的材料被记录下来。之后花了一年多的时间剪辑它。在电影最终完成前进行了很多次重剪。

Director’s Statement

In 2012, I wrote a diary,My FatherFour Springs is his first video work with a four-year photography and a two-year editing.

剧情简介

《四个春天》是一部以家庭生活为背景的纪录片,拍摄于位于黔南地区的小镇独山。镜头以主观角度导引日常生活的情景流出银幕:劳作、歌唱、出游山野、探亲访友、丧葬、欢聚别离。影片展现了两位主人公——导演本人的父母的生存状态,以及他们如何面对生命中不可挽回的失去。

Synopsis

Four Springs is a documentary film that presents a family’s daily life in the remote town of Dushan in the Guizhou province in southwest China. From a subjective angle, the camera introduces the flow of life out of the screen: the quotidian toils, singing, excursions in nature, visits among friends and extended families, funerals, reunions, and separation. It presented the state of being of the two main characters, the director’s own parents, and their attitude when facing irretrievable loss in life.

“这是一个很美的爱情故事,浸透着人的情趣、生活的智慧、面对离别的勇气、和夫妻间的相爱相惜。其间所有的趣味和饶有嚼劲的镜头都在影片中自由流动,像画,又似诗。感谢作者把情感关系中最美好的一部分展示了出来,温暖每一个孤独的人。”

“This is a beautiful love story. It is full of human being’s sentiment,the wisdom for life, the courageto confront separation, andtheintimate moment betweenhusband and wife.All of the interesting and lingering scenes flow freely in the filmpoetically.We should thank the director for presenting the most touching segment of relationships and consolingevery lonelysoul.”

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责任编辑:枯川