第12届FIRST影展“剧情短片”单元提名影片《你的电影我的生活》

導演照

剧照

剧照 (3)

你的电影我的生活

Is LIFE A Movie

非首映

Non-Premiere

*最佳剧情短片提名

中国台湾 | 2017 | 彩色 | 17分钟 | 剧情

China Taiwan | 2017 | Color | 17min | Fiction

导演/编剧/剪辑 | 詹京霖

摄影 | 陈麒文

美术 | 张轶峰

音效 | 声色盒子

演员 | 尹馨、张训纬、邱坤良、傅仰瞱、蔡明修

导演简介

詹京霖出生于台湾，作品多关注台湾底层边缘小人物的生活。他凭短片《状况排除》获得2013年台北电影节最佳导演同年入围金马奖最佳剧情短片、入选鹿特丹影展等多个国际影展。首部剧情长片《川流之岛》以象征台湾历史记忆的国道收费站事件为背景细腻描述资本主义下的人性挣扎，提名第54届金马奖最佳新导演。

Director's Biography

Born in 1980 in Taiwan, Chan Chinglin's works revolves around the poor and underprivileged. His film,A Breath from the Bottom, won him the Best Director at the 2013 Taipei Film Festival. In the same year, he was nominated for Best Short Film at the Golden Horse Award and the Rotterdam International Film Festival. Set against the backdrop of Taiwan's National Highways, his first Feature Film,The Island of River Flow, depicts the struggle under capitalism in a capitalist's world.

导演阐述

这个故事关于“界线”（包括作品与作品的界线、电影职位上的分寸、电影与日常的界线、感情的界线、避世与入世的界线），这些界线牵涉“抢”这件事，因为界线划定者可能恶意、也许善意变成不知觉的恶意，总之在无形中都可能对别人抢了什么。

Director’s Statement

The story is about boundary line. The line between films, the line between different positions, the line between life and film, the life of affections, and the line between to be and not to be... The definition of all these boundary lines involves exploiting. As the people get to set the lines might be vicious, even without knowing, they eventually are exploiting others.

剧情简介

导演、女演员、教授和学生相约在山上进行午后约会。上山途中，导演莫名听到枪声，彷彿天启的声音。他兴致勃勃跟老师描述他心中的电影片段，而女演员到来，这些关于电影、关于导演与女演员的生活、也关于老师与学生的感情，逐渐地被戳破。迷茫午后，木屋外的餐桌上剩下四个困顿的灵魂，而导演心里头的抢匪也还是被困在银行铁门内，宛如困兽。

Synopsis

As the actress arrived, everything about the movie, about the life of director and actress, and about the affection between professor and his student, were revealed and punctured one after another. In the hazy fuzzy afternoon, there is nothing left on the dining table outside the cabin but four-cornered souls; the bandit in the director's movie was also beset in the bank as a trapped beast.

“一声枪响打通了三个时空。‘生活从什么时候开始？’ 扣问每一个创作者的内心。导演张弛有度地展现了中产阶级艺术家的内心欲望和彷徨。”

“One single shot breaks and unites three space-times.‘When does life begin?’ This simple question interrogates every creator. The director presented us the inner desire and hesitationof the middle class, withboth tension and humour.”